Tone Fields Larger Than Stars

[Image: From “Probing Cosmic-Ray Transport with Radio Synchrotron Harps in the Galactic Center,” by Timon Thomas, Christoph Pfrommer, and Torsten Enßlin.]

The above image, as described by Susanna Kohler over at AAS Nova, depicts an ultra-large-scale magnetic “harp” near the center of our galaxy, emitting radio waves. The black lines apparently “span several light-years.”

As Kohler writes, where the parenthetical comments are her own, “a team of scientists argues that this cosmic music is caused by a massive star or a pulsar (a magnetized neutron star) plunging through an ordered magnetic field in the galactic center. As the star crosses (moving upward, in the image above) bundles of field lines, it discharges high-energy cosmic rays that travel in either direction along the bundles, emitting radio waves.”

It’s a kind of cosmic theremin—an instrument where the “musician controls volume and pitch using her hands to interfere with electromagnetic fields generated by the device”—a huge and ancient instrument playing itself in space.

Plasma Bombs and Sky Bridges

[Image: Via NOAA].

The U.S. Department of Defense has awarded a handful of small business grants for exploring the “controlled enhancement of the ionosphere.” The aim of the grants is to find new ways “to improve radio communication over long distances”—and one of these ways might be “detonating plasma bombs in the upper atmosphere using a fleet of micro satellites,” or cubesats, New Scientist reports.

As the initiating government contract describes it, in order to perform this new atmospheric role, the cubesats—or an equally viable competitor technology—will need to produce “highly exothermic condensed phase reactions yielding temperatures considerably higher than the boiling points of candidate metal elements with residual energy to maximize their vapor yield… Such hardware will provide for controlled release options such as conventional point release, as well as extended in time and space.”

They would be, in effect, small plasma ovens—the metaphoric “bombs” of the New Scientist article.

The resulting “vapor yield” from metallic elements boiling in space would then chemically interact with the Earth’s atmosphere to create the aforementioned plasma. While spreading locally through the ionosphere, the plasma would, in turn, generate small patches of electromagnetic reflectivity across which radio signals could be bounced or relayed.

By ricocheting along this sky bridge of temporary plasma patches—like tiny chemical mirrors in space—radio signals would be able to travel far beyond the curvature of the Earth, greatly increasing the distance and accuracy of specific transmissions.

This long-range transformation of the sky itself into a transmitting medium recalls the work of radio historian Douglas Kahn. Kahn’s book Earth Sound Earth Signal specifically looks at the role of terrestrial and atmospheric dynamics on radio transmission, including the deliberate incorporation of those seemingly unwanted side-effects—such as interference from sunspot activity—into electronic art projects.

Kahn’s work came up on BLDGBLOG several years ago, for example, in discussing a proposal from the 1960s for transforming an entire Antarctic island into a radio-transmitting apparatus. The topographic profile and geologic make-up of the island made it a great potential resonator, according to researcher Millett G. Morgan.

[Image: [Image: Deception Island, from Millett G. Morgan’s September 1960 paper An Island as a Natural Very-Low-Frequency Transmitting Antenna].

By taking advantage of these physical factors—and even subtly tweaking them in what we could also call “controlled enhancement”—the island would become part of a dispersed global infrastructure of electromagnetic relay points.

It’s worth mentioning that this would also make a fascinating landscape design project: sculpting a patch of terrain, from its exposed landforms and its subsurface mineralogy to the flora planted there, such as tree-antennas, so that the whole thing becomes a kind of radio-transmitting garden.

In any case, these tactical archipelagoes of plasma dispersed across the ionosphere by military cubesats would enable emergency wartime radio contact around the planet. By introducing patches of reflectivity, they would create a temporary extension of ground-based antenna infrastructure, stretching from one side of the Earth to another, an invisible bridge in the sky put to use for planet-wide communication.

Read the original contracting information over at the Small Business Innovation Research hub.

Briefly, it’s interesting to note another piece of recent tech news. Back in April, Swati Khandelwal reported that “a team of researchers from the University of Washington’s Sensor Lab and the Delft University of Technology has developed a new gadget that doesn’t need a battery or any external power source to keep it powered; rather it works on radio waves.”

She was referring to a device called WISP, “a small, battery-less computer that works on harvested radio waves,” in the words of project researcher Przemyslaw Pawelczak.*

[Image: Przemyslaw Pawelczak’s “small, battery-less computer that works on harvested radio waves”].

This is relevant for the possibility that this sort of thing could be scaled up to much larger pieces of equipment, such as uncrewed ground vehicles or other autonomous machines (including rovers on other planets); those devices could then be deployed in the field and simply wait there, essentially hidden in a powerless state.

You could then turn on these otherwise dormant computers, even from a great distance, using only pinpointed radio transmissions assisted on their way around the planet by localized plasma clouds; like electromagnetic Frankensteins, these sleeper-systems could thus be brought back to life by this strange, military wizardry of otherwise impossible radio transmissions.

Patches of plasma appear in the sky—and machines around the world begin to awaken.

[Note: When using the appropriate Polish lettering, Przemysław Pawełczak’s name renders oddly with this blog’s typeface; it is thus deliberately misspelled in the text, above; apologies to Pawełczak. Thanks to Wayne Chambliss for his thoughts on sleeper systems while I was writing this post. Very vaguely related: Operation Deep Sleep: or, dormant robots at the bottom of the sea].

Meshworm

The last few years have seen the rise of “soft robots,” squirming, biomorphic, and highly flexible little machines that can be used to slip through cracks, infiltrate tight spaces, even explore architectural ruins in the wake of earthquakes and warfare.

But soft robots are also getting closer to becoming what are, in effect, mechanically agile medical devices that can “monitor your insides,” in the words of Sangbae Kim, assistant professor of mechanical engineering at MIT, as reprinted by Popular Science, sneaking around inside your body like an earthworm.

The so-called “meshworm” is exactly that: a robotic “worm” made from layered wire mesh that uses “nickel-titanium alloy for muscles.” The application of a high temperature “shortens the wire, tightens the spring’s coil, and squeezes that body segment.” Thus, “when a segment contracts, the one behind it stretches out, and the robot inches forward. The tendon also has muscles attached so the robot can turn left or right.”

The result is the oddly grotesque and somewhat phallic creeping machine you see in the short video, above. The idea is that this could be used for medical diagnosis or vascular surgery.

However, the architectural or broadly spatial uses of this technology are also worth considering, including the potential for monumentally scaled-up versions of the meshworm, capable of assisting human or material transport through the built environment—a kind of peristaltic package-delivery tube that could replace the much-discussed pneumatic tubes of an earlier urban era. Like something out of a David Cronenberg film, the city would have a kind of giant bowel-infrastructure distributing waste material from point to point.

More interestingly, though, this new class of soft robots and meshworms could quickly assume their roles as architectural explorers in their own right, burrowing through collapsed buildings, passing beneath or around doors, even being taken up by the more ambitious burglars and tactical operations teams of the world.

Or, for example, earlier this month in the cave state of Kentucky, the annual “Cave City Hamfest” explored how to bring radio transmission deep underground. This was “accomplished by placing handheld (relay capable) walkie-talkies or relay boxes along a cave passage.” “After the inital debugging phase, we demonstrated the ability to simply walk the cave, until data was lost and then backing up a few feet for a solid link. Then placing a radio on a convenient rock and continuing.” Taking this as our cue, we could simply wire-up a team of meshworms with radio repeaters and send a small, crawling team of spelunking robots far ahead of us into caves where no human body can fit; they would crawl until they lose a signal, move back a few feet to re-establish a secure feed, and then the next one squirms dutifully forward.

You’ve thus built a mobile, semi-autonomous, deep-earth radio network made from repurposed medical devices—equal parts cave-mapping expedition and subterranean pirate radio station—opening up whole new realms of underground exploration (and tactical media).

Project Sanguine and the Dead Hand

[Image: One of the stations of Project ELF, via Wikipedia].

Further exploring the radio-related theme of the last few posts, Rob Holmes—author and co-founder of mammoth—has pointed our attention to something called Project Sanguine, a U.S. Navy program from the 1980s that “would have involved 41 percent of Wisconsin,” turning that state into a giant “antenna farm” capable of communicating with what Wikipedia calls “deeply-submerged submarines.”

Each individual antenna would have been “buried five feet deep” in the fertile soil of the Cheese State, the New York Times explains, creating a networked system with nearly 6,000 miles’ worth of cables and receiving stations.

The Navy was hoping, we read, for a system “that could transmit tactical orders one-way to U.S. nuclear submarines anywhere in the world, and survive a direct nuclear attack.” This would “normally… require an antenna many hundreds of miles in length,” according to the NYT, but Naval strategists soon “realized that a comparable effect could be achieved by using a large volume of the earth’s interior”—that is, “looping currents deep in the Earth”—”as part of the antenna.” The hard and ancient rock of the Laurentian Shield was apparently perfect for this.

[Image: From Roy Johnson, “Project Sanguine,” originally published in The Wisconsin Engineer (November 1969)].

In other words, the bedrock of the Earth itself—not a mere island in the Antarctic—could be turned into a colossal radio station.

A similar system, installed for preliminary tests in North Carolina and Virginia, “apparently flickered lightbulbs in the area and caused spurious ringing of telephones,” like some regional poltergeist or a technical outtake from Cabin in the Woods.

At least two things worth pointing out here are that a “scaled-down version” of Project Sanguine was, in fact, actually constructed, becoming operational in the northern forests of Michigan and Wisconsin from 1989-2004; called Project ELF (for Extremely Low Frequency), it arrived just in time for the Soviet Union to collapse…

[Image: Inside Project Sanguine; photo from Roy Johnson, The Wisconsin Engineer (November 1969)].

…which brings us to the second point worth mentioning: a strangely haunting program known as “The Dead Hand,” a doomsday device constructed by the Soviet Union.

In his Pulitzer Prize-winning book of that title, historian David Hoffman writes about a (still active) weapon of retaliation. The “Dead Hand” was built such that, if nuclear field commanders ever lost touch with military leaders back in Moscow during a time of war, a constellation of cruise missiles would automatically launch. This would happen not in spite of a lack of living military leaders, but precisely because everyone had been killed. That is, a machine would take over—thus the name “dead hand.”

Each cruise missile, however, flying over the lands of the USSR, would emit launch commands to all of the missile silos it passed over. Missile after missile would soon soar—thousands of them—arcing toward the United States, which would soon be obliterated, along with the rest of the world, in a nuclear holocaust controlled and commanded by nothing but preprogrammed machines.

In any case, Project Sanguine was its own version of an end-times radio, an “immense subterranean grid” transmitting to distant submarines by way of the Earth itself, humans using an entire planet as an apocalyptic radio device.

Antarctic Island Radio

[Image: Deception Island, from Millett G. Morgan’s September 1960 paper An Island as a Natural Very-Low-Frequency Transmitting Antenna].

Yesterday’s post reminded me of an interesting proposal from the 1960s, in which an entire Antarctic island would be transformed into a radio-conducting antenna. Signals of international (or military submarine) origin could thus be bounced, relayed, captured, and re-transmitted using the topographical features of the island itself, and naturally occurring ionospheric radio noise could be studied.

[Image: A map of Deception Island, taken from an otherwise unrelated paper called “Upper crustal structure of Deception Island area (Bransfield Strait, Antarctica) from gravity and magnetic modelling,” published in Antarctic Science (2005)].

In the September 1960 issue of IEEE Transactions on Antennas and Propagation, radio theorist Millett G. Morgan, a “leading researcher in the field of ionospheric physics” based at Dartmouth, speculated that he could generate artificial “whistlers”—that is, audial electromagnetic effects that are usually caused by lightning—if only he could find the right island.

“In thinking about how to generate whistlers artificially,” Morgan’s proposal leisurely begins, “it has occurred to me that an island of suitable size and shape, extending through the conducting sea, may constitute a naturally resonant, VLF slot antenna of high quality.”

[Image: Deception Island, from “Upper crustal structure of Deception Island area (Bransfield Strait, Antarctica) from gravity and magnetic modelling,” Antarctic Science (2005)].

He looked far and wide for this “naturally resonant, VLF slot antenna,” eventually settling on a remote island in the Antarctic. “Following this line of reasoning,” he explains, “I thought first of the annular Pacific atolls, but knowing of the fresh-water lenses in them”—that is, aquatic features that would destructively interfere with radio transmissions—”[I] rejected them as being too pervious to water to be satisfactory insulators. Also, of course, they are not found in suitable latitudes for generating whistlers.”

Morgan’s reasoning continued: “The Pacific atolls are built upon submerged volcanic cones and this led me to think of Deception Island in the SubAntarctic, a remarkable, similarly shaped, volcanic island in which the volcanic rock extends above the surface; and which is located in the South Shetland Islands where the rate of occurrence of natural whistlers has been found to be very great.”

Perhaps the island could be the geologic radio antenna he was looking for.

[Image: Deception Island, from “Upper crustal structure of Deception Island area (Bransfield Strait, Antarctica) from gravity and magnetic modelling,” Antarctic Science (2005)].

Morgan points out in detail that mathematical ratios amongst the island’s naturally occurring landscape features, including its ring-shaped lagoon, are perfect for supporting radio transmissions (even the relationship between the length of the island and the radio wavelengths Morgan would be using seems to work out). And that’s before he looks at the material construction of the island itself, consisting of volcanic tuff, which would help the terrain act as an “insulator.”

There is even the fact that the island’s small lagoon is coincidentally but unrelatedly named “Telefon Bay” (alas, named after a ship called the Telefon, not for the island’s natural ability to make telephone calls).

[Image: Deception Island, from “Upper crustal structure of Deception Island area (Bransfield Strait, Antarctica) from gravity and magnetic modelling,” Antarctic Science (2005)].

Morgan’s “proposed island antenna” would thus be a wired-up matrix of transmission lines and natural landscape features, bouncing radio wavelengths at the perfect angle from one side to the other and concentrating broadcasts for human use and listening.

You could tune into the sky, huddling in the Antarctic cold and listening to the curling electromagnetic crackle of the ionosphere, or you could use your new radio-architectural set-up, all wires and insulators like some strange astronomical harp, “to generate whistlers artificially,” as Morgan’s initial speculation stated, bursting forth with planetary-scale arcs of noise over a frozen sea, a wizard of sound alone and self-deafened at the bottom of the world.

(Deception Island proposal discovered via Douglas Kahn, whose forthcoming book Arts of the Spectrum: In the nature of electromagnetism looks fantastic, and who also gave an interesting talk on “natural radio” a few years ago at UCLA).

Liquid Radio

Could temporary jets of seawater be used as functioning radio antennas? Apparently so: as PopSci reports, “communications are vital” for vessels at sea, but deck space for “all the large antennas necessary for long-range (and often encrypted) communications” can be hard to come by. “So U.S. Navy R&D lab SPAWAR Systems Center Pacific (SSC Pacific) engineered a clever scheme to turn the ocean’s most abundant resource into communications equipment, making antennas out of geysers of seawater.”

Using arcing vaultworks of oceanwater, like domesticated waves, to beam and receive encrypted telecommunications not only reduces the metal-load of ships—thus also reducing the radar profile of military vessels—it also offers a way to construct “a quick, temporary antenna that could just as easily be dismantled.”

What they [SPAWAR] came up with is little more than an electromagnetic ring and a water pump. The ring, called a current probe, creates a magnetic field through which the pump shoots a steam of seawater (the salt is a key ingredient, as the tech relies on the magnetic induction properties of sodium chloride). By controlling the height and width of the [stream], the operator can manipulate the frequency at which the antenna transmits and receives. An 80-foot-high stream can transmit and receive anywhere from 2 to 400 mHz, though much smaller streams can be used for varying other frequencies, ranging from HF through VHF to UHF.

Turning seawater into a temporary broadcast architecture is absolutely fascinating to me and has some extraordinary design implications for the future. Pirate radio stations made entirely from spiraling pinwheels of saltwater; cell-phone masts disguised as everyday displays spurting seasonally in public parks, from Moscow to Manhattan; TV towers replaced with Busby Berkeley-like aquatic extravaganzas, camouflaging the electromagnetic infrastructure of the city as a gigantic water garden.

[Image: A mountainous display of women closely choreographed with water by Busby Berkeley, via Alexander Trevi’s Pruned].

Given some salt, for instance, the Trevi Fountain could begin retransmitting mobile phone calls throughout the heat-rippling summer landscape of greater Rome. Ultra-refined specialty saltwaters offer dependable signal clarity in audio HD. La Machine de Marly becomes a buried industrial art project, beaming death metal salt hydrologies to garden visitors: a continuous fountain of thundering music on FM, headbanging to seawater hifi. Espionage conspiracies involving elaborate, deep-cover radio links hidden inside public fountains.

So how could this be further explored in the contexts of tidal river waters—Thames Radio!—rogue waves, and even tsunamis? The artistic, architectural, musical, and infrastructural misuse of this technology is something I very much look forward to hearing in the future.