[Image: The Tau Tona mine; courtesy of AngloGold].
The gold mines of Johannesburg, South Africa, Herald Scotland reports, “are veritable underground cities, with tunnels winding for hundreds of miles more than two miles below the surface of the Earth.” To counter temperatures often higher than 40ºC, mine operators “continuously pump down refrigerated air into the subterranean cities where miners and other workers wear special jackets packed with ice to counter temperatures so high that the rock itself is hot to the touch.” Indeed, at the Tau Tona mine outside Jo’burg – “the deepest and biggest [mine] in the world with more than 500 miles of tunnels” – “miners will be working in temperatures as high as 50ºC, requiring cooling systems of enormous power and sophistication with capacities more [than] three million times that of a domestic refrigerator.”
These “capacities” include the production of at least “20,000 tonnes of ice a day, which is crushed and pumped along pipes that run down through the mine tunnels and galleries. As the iced water warms up it is pumped back to the surface to be re-frozen.” Rig several dozen of these up to a small nuclear power plant, and you could gradually make your way to the center of the earth… That, or construct an artificial glacier outside Cape Town.
Glaciers are the future of architectural design.
[Image: (left) Workers in a South African gold mine; via Voice of America; (right) “Miners cutting an exploratory tunnel in the Crown goldmine. Johannesburg, South Africa, c. 1935.” (Via) ].
In any case, the most fascinating aspect of this whole story for me is that, down in the “disused shafts and tunnels” beneath the city of Johannesburg, whole illegal communities have been found. Mineral smugglers – or those who would carry pieces of the earth’s surface across political borders – “live for up to a year at a time below ground without surfacing, mining illicit gold estimated to be worth nearly £400 million a year for three international criminal syndicates.”
Quoting at great length:
The unlawful miners ‘hijack’ closed-off sections of legitimate mines, plunder them and provide the syndicates with tonnes of gold to smuggle abroad. Armed with handmade grenades to fend off intruders, they face death by suffocation and even insanity [!] in the appallingly nightmarish conditions in which they live.
‘There is no fresh air, it can be as hot as 38ºC, everything is very compressed and the humidity is very high,’ said police explosives expert, superintendent Joe Meiring. ‘They work there, they sleep there, they eat there. It is hot and dark, and they age very quickly. They even smoke down there, which is very dangerous because of the methane gas present in mines which can explode as a result of the slightest spark.’
Meiring was one of the commanders of a 20-strong police team, which had undergone months of special training, that last week invaded one of the illegal tunnel complexes and arrested 60 rogue gold-diggers. All of them were black, all of them typically desperate to do anything to earn a living in an economy where unemployment runs at more than 40%, where social welfare benefits are meagre, and where the gap between the fabulously wealthy – both black and white – and the overwhelming majority of the desperately poor is as stark as it is shocking.
Unable to drive out their neighbouring ‘slum dweller’ panhandlers, who use AK-47 assault rifles and beer bottle ‘grenades’ stuffed with explosives and iron waste shrapnel as deterrents, the mine companies turned to the police to begin tackling the problem.
And therein lies a novel (or two).
(Thanks, Bryan!)
BLDGBLOG readers, now is your chance to shine: using 100 words or less, tell us what kind of micronation you would found – and where. Would it be an agricultural utopia, ruled by lottery, prone to war? Or a tropical island paradise, funded by bonds in coconut futures? Perhaps a polysexual fantasy on a hovercraft, roaring nonstop across the oceans of the world? Or a quiet Arctic refuge? A little mountain town somewhere, full of friends and wine? 
This new “city,” however, will just be a cluster of high-tech administrative buildings, although the main tower “is to rise at least 300 meters (985 feet) into the sky and symbolize the growing power of the firm. It is also to be situated just opposite the famed 18th century 
Because Gazprom City “is part of a longer range plan by Russian President Vladimir Putin to boost the prestige of his home city,” however, it seems unlikely that the project will be held back. This, after all, may be St. Petersburg’s newest architectural moment: “Much of the development that has occurred in recent years has benefited Moscow, whereas St. Petersburg has seen little change. Only recently, with the celebration of the city’s 300th birthday in 2003, did the city begin awakening from its centuries-long sleep. But even as high-tech projects and a new theater
In any case, the winner of the competition will be announced on December 1st, and the actual tower should be fully constructed by 2016.
The fellows at
Archfarm has also published an interview with Sonia Cillari (download the
The series veers a tiny bit too close to the world of Deleuzian eyeglasses and trendy jargon, I have to say, but it’s a great format and I’ll be interested to see where they go next. For instance, might I humbly recommend they publish
[Image:
[Image: Ripping up British railroad tracks in Angola under Chinese supervision;
[Image: The city of Zhengzhou, on the banks of the Yellow River;
That building, 


[Image: Manuel Roig-Franzia/Washington Post].
[Image: “An orbiting array of reflective balloons focuses sunlight onto the surface of Mars, providing extra heat and solar power for human colonists.” Via
Utopia, pictured above, is a “digital typeface that portrays the mixture between the modernist architecture of Oscar Niemeyer and informal occupation of the urban space that shapes major Brazilian cities.” In other words, all the letters look like buildings designed by Oscar Niemeyer, jumbled up in Brazilian proximities. 
[Images: BLDGBLOG written in Utopia; the whole font, posterized].
[Image: