In ‘Windmills in the Sky‘ we learn that: ‘Australian engineer Bryan Roberts wants to build a power station in the sky – a cluster of windmills soaring 15,000 feet in the air’ in the troposphere, where ‘there is enough energy in high-altitude winds to satisfy the world’s [electrical] demands.’ This resource is referred to as ‘high-altitude wind power’. The machines would ‘use GPS technology to maintain the crafts’ vertical and horizontal location to within a few feet. The craft will be brought to ground once a month or so for maintenance checks.’
An image which – perhaps to my discredit – immediately makes me think of films by Hayao Miyazaki.
But there are other angles to consider, including a sky full of hovering tropo-electric generators as: 1) atmospheric installation art; 2) tropotechnical engineering (v. geotechnics); 3) a fantastic idea for an animated science-fiction movie (again, viz Hayao Miyazaki);
4) a kind of retro-futurist Red Baron-era *Don Quixote* remake; 5) a nuts place to get a summer job, living on one of the windmills and making repairs from within the black skies of the troposphere; 6) something Rimbaud would’ve come up with while sipping absinthe; 7) etc.
Or 8), of course, lucky 8): how to turn the sky into a machine. Atmospheric irrigation, or the productive redirection of the planet’s rivers of air.
Or 9), too: a poetic insight into the otherwise unrecognized resources of energy and power all around us. Poetic engineering. Engineering as 3-dimensional poetry.