[Image: Screen grab from Nocturnes].
Filmmaker Alec Earnest—who we last saw here for his short film about the death of a mysterious map collector in Los Angeles—is back with a mini-documentary about landscape painter Eric Merrell.
Merrell, we read, “might be best known for his rigorous approach to landscape painting. For several years Merrell has been working on Nocturnes, a series of abstract desert works that he has painted all over Southern California, each solely by the light of the moon.”
[Image: Screen grab from Nocturnes].
Earnest’s film follows Merrell into Joshua Tree National Park, “where night falls and the desert takes on a surreal and mysterious beauty, where edges blur and shapes transform, and solitude takes on a whole new meaning.”
The small crew used a new Sony A7S camera “that basically allowed us to shoot completely in the dark,” Earnest explained to me over email.
The film is embedded, below:
Of course, as the video makes clear, this is a slight—but only slight—exaggeration, in that Merrell uses a headlamp and small clip lights on his painting box to help illuminate the scene.
[Image: Screen grab from Nocturnes].
When those lights are switched off, however, the landscape takes on a silvered, almost semi-metallic lunar glow, as if bathed in ambient light.
[Image: Screen grab from Nocturnes].
Standing there in the darkness, Merrell comments on how working at night also comes with a peculiar kind of audio enhancement, with distant sounds riding the breeze with a peculiar clarity; and at one point a fortuitous lightning storm rolls by in the distance, as if to prove Merrell’s point with the atmospheric sonar of a thunder crash echoing over the otherworldly rocks of the National Park.
[Images: Paintings by Eric Merrell; screen grabs from Nocturnes].
Read a bit more at the L.A. Review of Books, and don’t miss Earnest’s earlier film here on BLDGBLOG.
(Related: In Search of Darkness: An Interview with Paul Bogard).