[Image: Mike Bouchet’s Watershed being towed through Venice towards the Arsenale basin, against a backdrop of Italian palazzi].
Note: This is a guest post by Nicola Twilley.
The 2009 Venice Biennale opened this week with an unexpected and quite beautiful piece of performance art. Artist Mike Bouchet had built a one-to-one scale replica of a typical American surburban home that he planned to install on floating pontoons in the Venice Arsenale basin. He called the project Watershed.
David Birnbaum, the Biennale’s curator, told camera crews filming the installation that he thought the project “sounded a bit megalomaniac,” but the sight of the oversized house, clad in beige vinyl, flimsily bobbing up and down against a backdrop of palazzi and piazzi as it was towed through Venice’s canals, was breathtaking. It was an architectural icon of the American Dream revealed in all its formulaic absurdity.
Amazingly, then, one of the pontoons capsized, and the entire house sank to the bottom of the canal—an unintentional yet utterly perfect coda to the house’s own built-in commentary. Now, a fake generic American suburban home will add its ruins to the underwater archaeology of Venice.
[Image: Mike Bouchet’s Watershed goes down].
A two-minute video of the house’s journey, and eventual fate, can be seen in full on YouTube.
(Originally spotted on Flavorwire).